Fibonacci retracements
After any strong move, price usually gives some of it back before continuing — the retracement. Fibonacci retracements answer the practical question how much is normal? by drawing horizontal levels at fixed fractions of the original move: 23.6%, 38.2%, 50%, 61.8% and 78.6%.
How to draw them
Pick an obvious swing: the clear low where a move started and the clear high where it ended (for a down-move, high to low). The tool divides that range at the ratios above. That is the entire mechanic — the skill is choosing swings so obvious that other traders drew the same ones.
Where the ratios come from — and why that matters less than you think
The numbers derive from the Fibonacci sequence, whose ratios appear throughout mathematics and nature. Whether markets have any innate golden-ratio structure is, frankly, unproven — Bulkowski-style testing shows retracement depths cluster broadly, not precisely at 61.8%. The practical reason the levels work is more mundane and more reliable: millions of traders draw the same levels, place bids at them, and thereby make them real. Fibonacci is the purest example of technical analysis as a self-fulfilling coordination game.
Using them well
- Confluence beats precision. A 61.8% retracement that lands on prior support, a rising 50-MA, or a high-volume node (Volume Profile) is a level three crowds are watching. A Fib level alone in empty space is a line.
- Zones, not lines. Treat 50–61.8% as a region to watch for a reversal candle plus volume, not a price to blindly bid.
- Stops go beyond 78.6% — if price retraces that far, the "pullback in a trend" idea is invalid, which is exactly what a stop should express.
- Extensions (127.2%, 161.8%) project targets beyond the old high — useful for take-profits when price enters territory with no history to lean on.
Fib retracements are a disciplined way to pre-plan where a pullback becomes interesting. Their power comes from shared attention, not sacred geometry — so draw the swings everyone else can see, and demand confluence before acting.